Tom & Judy's European Trip

March 2005

Paris/Picardie

Page Four

 

Primal Scream

Judy doesn't like maps.  It is not that she can't use them as the tool that they are.  It is just that she is not comfortable in their presence.  She prefers that I do the driving and the navigating at the same time.  And I don't mind 99.9% of the time.  But sometimes she is called upon.  Like in the heart of large foreign cities when we rent a car for some really independent travel.  Such was the case that Monday as we picked up a rental at Gare St. Lazare for our journey to Amiens in Picardie.

 

We doubled back to the hotel to pick up our bags and settled in for an easy shot north.  It was to be a right turn at Trinite and then straight to Port San Ouen and get on the Peripherique and then north on the A-1.  Piece of cake.  Except that the bus driver at Trinite hadn't been told and he pulled out in front of us and shut down the right turn option and forced us straight ahead.

The concept of a block - a four sided area surrounded by streets - is foreign to Europeans.  Thus it is not a simple matter of 2 rights to get yourself back to the street you wanted.  No, now it becomes a journey with a capital J.  Judy did well in the right hand seat, no mistakes, but I got the sense that she would have preferred to apply a vise grip to her big toe rather than be the navigator.  As we entered the Peripherique she unleashed a primal scream of relief.

 

Somewhere in the 9th Arrondisment

Within 2 miles I misread a sign and proceeded to drive through the back roads of the industrial zone between St Denis and Charles de Gaulle.  A thirty minute detour of zero value.

 

Brick colored stain

North of Charles de Gaulle, past Parc Asterix, beyond Senlis and Chantilly lies the Department of Picardie and a countryside most handsome.  Open, heavily cultivated fields dotted with villages and an occasional wood are very easy on the eye.  As is the norm in Germany and France, the farmhouses and buildings are clustered together in villages and the countryside is barren of structures between these little communes.  Gently rolling, the area is a plateau cut by the occasional stream and by the large westerly flowing River Somme.  The Somme cuts a deeper passage here and the landscape takes on a more dramatic tone.  Just north of the river we depart the A-1 and proceed northwesterly on small more leisurely routes.  And it is here that one notices some unusual landscapes - like a brick colored stain on the ground covering 3 to 5 acres.

In fact that brick colored stain used to be a village.  Used to be.  Prior to 1916.  For now you have entered most hollowed ground.  You are now on the Battlefield of the Somme.  And the hundreds of small French, British, Canadian, Australian and New Zealand cemeteries attest to the intensity of the struggle here.  (It has been estimated that between 10 and 12 million artillery shells were fired here.)

 

Stalemate and Slaughter

1916 was the third summer of The War to End All Wars and it was a year of Stalemate and Slaughter.  As the invaded parties, it was incumbent on the British and French allies to pursue an aggressive policy and drive the German invaders from French soil.  The Germans could simply sit back and wait for the inevitable assault. They chose not to.  In February they launched a sustained attack against the French at Verdun in eastern France that consumed nearly 1,000,000 casualties before it ground to a halt 10 months later in November.

The French hoped for more British aid and it finally arrived in the form of the Somme offensive of July 1, 1916.  Hundreds of thousands of troops "went over the top" at 6 am and many walked into eternity.  60,000 casualties that day on the British side.  "The Butchers Bill" as the Brits are wont to call it.  Carnage on an industrial scale: 21,000 dead, 35,000 wounded, 4,000 missing in the mud or as prisoners.  The worst day ever (before or since) for the British military.  But since the French had endured the bottomless pit of Verdun the British wouldn't consider calling off the attack.  On and on it went - until the November cold - until another 900,000 casualties, from all participants, were added to the Bill.  Madness!  At the end of it, the line had been pushed back an average of 5 miles.

And the Germans died too.  Stood and died for fatherland and Kaiser.  And by happenstance, our first stop, near Fricourt, was a German military cemetery. (photo right)  Strange, there were dozens of Jewish headstones there.

The British have an impressive museum and monument at Thiepval.  Paying honor to their own who hammered at the German line here for months.  We left a message in the guest book in honor of all soldiers everywhere. 

The Canadians honor their own at Beaumont-Hamel, especially the 900 man Newfoundland Regiment where 70 men answered the roll at sunset that day.  This site also has the most extensive trench remains in the area and visitors are encouraged to explore the area.

 

The Germans mounted a large scale attack in the same area in March 1918 that achieved impressive success for a month.  Then  their army and the nation simply ran out of gas so to speak.  The Allies pushed them out by Autumn.  They sued for peace.  It was over.  The French Army War Diary carries only a one word notation for November 11, 1918.  "Victoirie"

 

Weeping Angel

During the war, tens of thousands of postcards of the "Weeping Angel" were mailed from here to points around the world.

The statue resides in the Cathedral at Amiens

 

La Cathedrale d'Amiens

An absolute masterpiece of Gothic architecture and engineering, this church has the highest ceiling of any complete cathedral (143 feet).  (Beauvais has a taller choir ceiling but the rest of the building collapsed).  It is also noted for its splendid floor designs.

 

More photos and explanations can be found on this fine website.

http://www.mcah.columbia.edu/Mcahweb/index-frame.html

 

La cathedrale en couleurs

During the summer months and Christmas time a special light show illuminates the west entrance with the original colors of the stone.  The statues and accents were polychromed in the Middle Ages but in most cases the colors have vanished.  Some stones still retain their original color here and at other churches.  And many written descriptions still survive from that time that describe the vivid colors.  Thus the presentation is deemed to be very accurate.  Not shown during our visit it is a must see for us when we return some summer.

For more info and photos in French click here

  

Les petits et le labyrinthe

Here we see a number of youngsters walking the 234 yard long labyrinth that is laid out in the center of the nave.  Encouraged by their teachers on this class visit, they are following the black stones in a line that represents the journey of the pilgrims to either the Holy Land, Rome, or more likely, to Santiago de Compostella on the northwest coast of Spain.  (Patterned after the labyrinth at Chartres, this one is kept clear so that visitors may follow the line, while at Chartres it is covered with chairs except for Fridays because the Bishop was tired of unruly children and bigger visitors creating a disturbance).

Pilgrimages were big business in the Middle Ages, both spiritually and economically.  Most French churches on the 4 main routes to Santiago were constructed on a plan that maximized the flow through of the visitors while minimizing the disruptions.  Most historians agree that about one million pilgrims made the journey to Santiago each year in the 12th century.  There are numerous copies of a guide book written at that time.  The four routes started at Paris, Vezelay, Le Puy en Valey and Arles.

For The Da Vinci Code fans:

The principal shrine for Mary Magdalene in France is the Basilique at Vezelay.  It was NOT mentioned in the Book.

As with all French churches, the iconographic program is organized with the Old Testament figures in the dark north side of the building, the New Testament is showcased on the Sunny southern side and Christ and ancestors often on the west front.  Many churches place a major piece of sculpture as a tympanum over the main portal: often the Last Judgment or Christ in Majesty.

One of the best websites devoted to tympanum sculpture is this one with photos of The Last Judgment at St. Foy in Conques.  Here they even talk about the dastardly deeds of the Bishop.

 

Mauvais Garcon

One teacher asked that her class inquire of the visitors within the Cathedral why they were here.  The young man to the right with the spit-in-your-eye bravado was a pure treat.  

He approached with a determination, and without hesitation he said,  "Pourquoi que-ce que vous ici?" il demande.  "Je suis un touriste." I replied.

At which point his French went far beyond my comprehension,  Fortunately I was saved by Jean-Pierre and his teacher and the question was answered.  But on the side this youngster and I bonded.  Probably reminded me of me so many years ago.

 

This is Paris/Picardie page 4

Roma Page 1

Roma Page 2

Roma Page 3

Roma Page 4

 

Venice Page 1

Venice Page 2

Venice Page 3

Venice Page 4

 

Paris Page 1

Paris Page 2

Paris Page 3

Paris/Picardie Page 4

Amiens/Paris Page 5

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