Michael Weston: Paintings
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[Please note that the colors can be distorted through computer photography]

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mist of alcohol
mistofalcohol.jpg
oils on canvas

pissed off rabbit
pissedoffrabbit.jpg
oils on paper

A divide
adivide.jpg
oils on masonite

wrecked and singing
wreckedandsinging.jpg
india ink on graph paper

pastehead in bloom
pastehead.jpg
oils on paper

in de throat
indethroat.jpg
oils on paper

pool of growth
poolofgrowth.jpg
oils on masonite

guardian angle of pasteheads
guardianangleofpasteheads.jpg
oils on paper

pastehead kingdom
pasteheadkingdom.jpg
watercolor on paper

PLATE
plate.jpg
ink and oils on paper

difficulty
difficulty.jpg
oil pen on paper

stay away
stayaway.jpg
oils on masonite

tossing it off
tossingoff.jpg
oils on paper

architecture: flesh and wings
architecturefleshandwings.jpg
oils on paper

at the beach
atthebeach.jpg
oils on masonite

effects of war
effectsofwar.jpg
oils on foam core board

hyena clown
hyenaclown.jpg
oils on canvas

unstable
unstable.jpg
oils on paper

Pink bridge
pinkbridge.jpg
oils on paper

anatomy
anatomy.jpg
oils on canvas panel

orange nose
orangenose.jpg
oils on paper

In dream
indream.jpg
oils on canvas sheet

Not elf-like
elflike.jpg
oils on masonite

meandering blonde
meanderingblonde.jpg
oils on canvas

fondelingus
fondelingus.jpg
ink on paper

mirror
mirror.jpg
oils on canvas sheet

russian hat
russianhat.jpg
oils on paper

in the dark
inthedark.jpg
oils on paper

huh?
huh.jpg
oils on paper

in the order of
intheorderof.jpg
oils on paper

woman in green frame
womaningreenframe.jpg
oils on canvas sheet

queen of pasteheads
queenpoi.jpg
oils on paper

look back
lookback.jpg
ink & oils on paper

       
       
       
       
       
       

     

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All artwork on these pages Copyright Michael Weston/2003-2005. Please ask permission to use any images. Comments and questions welcomed; dimensions for artwork etc query at darkglasses@mindspring.com. Enjoy.

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whenanglesand.jpg
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darkglasses@mindspring.com

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...The human figure, or at least the face, in whatever fragmentary
form it concludes on any given piece, must still be there.
Otherwise I feel a growing dissatisfaction and my mind drifts off;
usually until I find more figures and faces.
If I attempt to be more abstracted or lean toward words or
symbols, these attempts end up just so much airs and muddied.
Recently again I allowed myself to include apparent disassociated
images and words in the pieces; more limited in kind than I would like.
---2005 april/ Michael Weston

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