David Wilson's Literary Quiz
Superconductors













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David Wilson's Literary Quiz

Superconductors

A new literary quiz at irregular intervals, usually with a theme. This week: Although music is one of the most important things in my life, my automatic answer when a stranger asks, "Do you like music?" is "No." If you find that answer hard to understand, this Quiz is not for you. It consists of ten photographs of Great (Dead White Male) Conductors. All you have to do is identify them. They are presented in Afferbeck Lauder, and, by chance, the letter which identifies them in no case corresponds with the first letter of their name. I deliberately made the second one (the greatest of all conductors) more difficult by using an early photo of him. No more clues! Begin.

The quotations in these quizzes reflect my own tastes - Dead White Males, for the most part (Jane Austen, of course, counts as an honorary DWM). There will never be anything wilfully obscure. If you're the sort of person who sneers at the naïveté of the reviewers in the TLS and New York Review of Books, you'll recognize them at once. I welcome suggestions and insults. You'll find an e-mail tag lying around somewhere. Please put QUIZ in the subject line.

David J Wilson.




Quiz No. 126

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B
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C
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D
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E
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F
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G
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H
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I
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J
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A)
Karl Böhm, 1894-1981. A Nazi sympathiser, like so many Austrians of his generation, but a wonderful conductor of Wagner. Birgit Nilsson's favourite of her own Brünnhildes was Böhm's 1966 live Bayreuth Ring recording.


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B)
Wilhelm Furtwängler, 1886-1954. There is, of course, no magic in the art of conducting. But if you believed Furtwängler to be a magician, you might have been forgiven. His rapport with "his" Berlin Philharmonic was total and unexplainable, but, more mysteriously still, the magic worked with other orchestras, too. His famous live Ring with the Italian Radio Orchestra in 1952 is a case in point. The Italians start off very nervously - but, gradually at first, and then in a flood, they produce a transcendent, a miraculous sound .... He was the Greatest.


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C)
Erich Kleiber, 1890-1956. Very definitely not a Nazi. The relative scarcity of his recordings only adds to his legendary status.


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D)
Otto Klemperer, 1885-1973. A nutter, as you can easily tell from his piccy. Blotted his record by being a devotee of Mahler, but more than redeemed by being the greatest of all twentieth-century conductors of Beethoven.


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E)
Hans Knappertsbusch, 1888-1965. A great Wagnerian, with a Bayreuth pedigree going back to Richter's time.


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F)
Arthur Nikisch, 1855-1922. Hungarian pioneer of modern conducting, and a potent legend in Germany and Blighty to this day. The LSO and the Berlin Philharmonic owe him much: orchestras didn't mess about with him, and you can see why.


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G)
Hans Richter, 1843-1916. Another damned Hungarian. Friend, collaborator, assistant and enabler of R. Wagner. Conducted the premiere of the Ring at Bayreuth in 1876, and in his later years became Blighty's leading conductor. There are many splendid anecdotes about him which are still current .... No space for them here.


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H)
Georg Solti, 1912-1997. Yet another bleeding Hungarian, and probably the most familiar of my ten. His Decca Ring cycle, the first complete studio recording, is still the one you should buy first.


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I)
Arturo Toscanini, 1867-1957. For better or worse, the first celebrity conductor. A perfectionist, and a great musician, despite being Italian.


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J)
Richard Wagner, 1813-1883. Another of the inventors of modern conducting technique. His little book, On Conducting, is still a delight to read.

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Don't bottle up your contempt and fury. Mail to davidjw@mindspring.com


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Last Updated: 5 December 2008