"But the best and subtlest touch belongs to Elizabeth Whiteley, whose standout basswood architectural model, ‘Screen for Grasses’, resembles a very pared-down design by Frank Lloyd Wright—an architect whose affection for Japanese architecture was written all over his work."  Kriston Capps, art critic, Washington City Paper

“The interplay of the natural forms enlivened by color, with the abstract one, creates a cheerful and lively note.”  Terry Parmelee, art critic, EyeWash

“Her highly organized works are decorative in the best sense of that word, handsome islands of order in a city, Washington, where the everyday experience of disorder can easily be overwhelming.”   David Carrier, international art critic, Maryland Art Place Critic’s Residency

“Elizabeth Whiteley’s art is mathematically oriented and it also indicates a Japanese influence.”  Sherry Sundick, art critic, Northwest Current

“She composes the random natural world to make a new, exquisitely crafted order.”  Phyllis Jacobs, art critic, KOAN